{"id":195,"date":"2015-03-15T15:30:37","date_gmt":"2015-03-15T14:30:37","guid":{"rendered":"http:\/\/localhost\/wordpress\/en\/?page_id=195"},"modified":"2015-03-15T15:30:37","modified_gmt":"2015-03-15T14:30:37","slug":"piano","status":"publish","type":"page","link":"http:\/\/manonliuwinter.at\/en\/piano\/","title":{"rendered":"Piano"},"content":{"rendered":"<p>Shifting focus to contemporary music and free improvisation led to a period of intense experimentation with the instrument for expanding the piano&#8217;s sound and technical capabilities<br \/>\n&#8211; various preparations, string piano, the inside\/outside of the corpus, ways of amplifying.<br \/>\nFrequent participation at important festivals for contemporary music, e.g.<br \/>\n&#8220;Oesterreich Heute\/ Hoergaenge&#8221;, &#8220;WIEN MODERN&#8221; Konzerthaus Wien, V:NM-Festival Graz,<br \/>\n&#8220;Ensemble of the 20th Century&#8221; at the Salzburg Festival, &#8220;TON:ART&#8221; Bern, member of<br \/>\n&#8221; Ensemble 2001&#8243;, &#8220;The wild bunch&#8221;, participation in &#8220;Klangforum Wien&#8221; and many others.<br \/>\nWorks premiered include, amongst others: Christian Ofenbauer \/ &#8220;Katalog III&#8221; for 6 pianos, 1991;<br \/>\nRoman Haubenstock-Ramati \/&#8221;Miroir&#8221; for 6 pianos at the Great Hall of Vienna&#8217;s &#8220;Konzerthaus&#8221;, 1991;<br \/>\nKonrad Rennert \/ &#8220;fraktur IV&#8221; 1998; Lukas Ligeti \/ &#8220;Fin de siecle Blues&#8221; 1991; Daniel de la Costa \/<br \/>\n&#8220;Premoniciones&#8221; 2001; Nader Mashajekhy \/ &#8220;First draft&#8221; 2002.<br \/>\nThe recent repertoire includes works of Earle Brown, John Cage, Henry Cowell, Morton<br \/>\nFeldman, Philip Glass, Mauricio Kagel, Gy\u00f6rgy Kurt\u00e1g, Helmut Lachenmann, Gy\u00f6rgy Ligeti, Stephen<br \/>\nMontague, Steve Reich, Dieter Schnebel, Karlheinz Stockhausen, Galina Ustwolskaja; of Austrian<br \/>\ncomposers Christian Ofenbauer, Alexander Stankovski, Katharina Klement, Peter Ablinger, Konrad Rennert,Olga Neuwirth, Hannes Raffaseder, Friedrich Cerha.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shifting focus to contemporary music and free improvisation led to a period of intense experimentation with the instrument for expanding the piano&#8217;s sound and technical capabilities &#8211; various preparations, string [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-fullwidth.php","meta":{"footnotes":""},"class_list":["post-195","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/manonliuwinter.at\/en\/wp-json\/wp\/v2\/pages\/195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/manonliuwinter.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/manonliuwinter.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/manonliuwinter.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/manonliuwinter.at\/en\/wp-json\/wp\/v2\/comments?post=195"}],"version-history":[{"count":0,"href":"http:\/\/manonliuwinter.at\/en\/wp-json\/wp\/v2\/pages\/195\/revisions"}],"wp:attachment":[{"href":"http:\/\/manonliuwinter.at\/en\/wp-json\/wp\/v2\/media?parent=195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}